Ask for the shape of the challenge.

Runs are fast and deaths are total. Boss cells stack modifiers until a loadout that felt comfortable dies to two hits, and there is no difficulty setting hiding under them.

Souls stamina and checkpoints with a gun in your hands, so the dodge is still the answer but the aim decides whether the dodge was needed.

Friendly fire is always on, and the top difficulties are a logistics problem for four people. A good squad wipes to its own airstrike about as often as to the enemy.

The gentlest soulslike on the shelf, largely because the AI companion it gives you will happily solo a boss you cannot beat.

The mage hunts turn every boss into a chase across the map, which trades the first game’s clean duels for something closer to attrition.

Death drops your gear where you died, and where you died is usually the swamp. The stamina economy keeps fights short and losing them expensive.

Two hits and you are in your underwear, three and the level restarts, and the game expects a second full loop before it will show you an ending.

Wirebugs give every weapon a get-out-of-jail move, which makes this the entry that will actually teach you the series rather than survive you learning it.

Sekiro’s deflection on a 2D plane. Chip damage means blocking is not a plan, and every boss is a rhythm you learn on frames rather than a health bar you widdle down.

It takes the one thing roguelikes normally give you — time to think — and puts it on a metronome.