Ask for the shape of the challenge.

Ordinary play is gentle. The route the game remembers you taking turns two of its fights into some of the strictest bullet hell in the catalogue.

Kinder than the first in every way that matters — the instant-death platforming is gone — and the map is still built to be read rather than followed.

Document checking against a clock, where the rules change every morning and a mistake comes out of the family’s rent.

Depth and darkness rather than combat. It is careful never to tell you where to go, which is either the appeal or the wall depending on the player.

Hazard 5 with four dwarves is a coordination problem. Solo with Bosco is a slower, different game that the hazard tiers do not really account for.

It takes the one thing roguelikes normally give you — time to think — and puts it on a metronome.

It barely tests your hands at all and is one of the most punishing games here anyway: saving takes ten seconds at a fixed terminal and can be interrupted, so every stretch of progress is a bet you are choosing to hold.

The EMMI zones are one-hit deaths with a counter window measured in frames, and the bosses expect dodges on reaction rather than pattern.

Turn-based with a parry or dodge on every incoming attack, so a fight you have the stats for can still be lost by hands. Learning a boss’s rhythm is the build.

Runs are fast and deaths are total. Boss cells stack modifiers until a loadout that felt comfortable dies to two hits, and there is no difficulty setting hiding under them.